Heretical anachronisms: framing temporality and tradition in Pier Paolo Pasolini's essay films
Özet
Pier Paolo Pasolini's ventures into the essay film form provide, in films such as La Rabbia (The Rage, 1963) and Appunti per un'Orestiade africana (Notes towards an African Orestes, 1970), an interrogation on the experience of temporality and the ways in
Koleksiyonlar
DSpace@YASAR by Yasar University Institutional Repository is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 4.0 Unported License..