Reinventing the everyday in the age of spectacle: Jean-Luc Godard's artistic and political response to modernity in his early works

dc.contributor.author	Suner, A.
dc.date.accessioned	2021-01-25T20:49:45Z
dc.date.available	2021-01-25T20:49:45Z
dc.date.issued	2015
dc.identifier	10.1080/14715880.2014.987517
dc.identifier.issn	14715880
dc.identifier.uri	https://www.scopus.com/inward/record.uri?eid=2-s2.0-84954123798&doi=10.1080%2f14715880.2014.987517&partnerID=40&md5=d39a504a9503847c9a3d0057474d18ab
dc.identifier.uri	https://dspace.yasar.edu.tr/xmlui/handle/20.500.12742/10316
dc.description.abstract	Godard's films prior to 1968 are usually received as pure experimentations of style, as if these films were little more than art-historical examples of a certain kind of avant-garde cinema. The author argues instead that Godard's often frenzied cinematic
dc.language.iso	English
dc.publisher	Studies in French Cinema
dc.title	Reinventing the everyday in the age of spectacle: Jean-Luc Godard's artistic and political response to modernity in his early works
dc.type	Article
dc.relation.firstpage	123
dc.relation.lastpage	137
dc.relation.volume	15
dc.relation.issue	2
dc.description.affiliations	Department of English Language and Literature, Yaşar University, Izmir, Turkey

Bu öğenin dosyaları:

Dosyalar	Boyut	Biçim	Göster
Bu öğe ile ilişkili dosya yok.