The comic tragedy of mere men and women: The ambiguously distracting use of laughter in The Castle Of Otranto and its prefaces

dc.contributor.author	Suner, A.
dc.date.accessioned	2021-01-25T20:49:23Z
dc.date.available	2021-01-25T20:49:23Z
dc.date.issued	2016
dc.identifier.issn	02106124
dc.identifier.uri	https://www.scopus.com/inward/record.uri?eid=2-s2.0-85010637730&partnerID=40&md5=8b4db09fd3412d373df45268c010ae1d
dc.identifier.uri	https://dspace.yasar.edu.tr/xmlui/handle/20.500.12742/10227
dc.description.abstract	This paper attempts to analyze the curious effects of the comic scenes in The Castle of Otranto (1764) through a close reading of Walpole's famous prefaces to the novel. The comic scenes evoke an incongruous dramatic response and contradict the claims mad
dc.language.iso	English
dc.publisher	Atlantis
dc.title	The comic tragedy of mere men and women: The ambiguously distracting use of laughter in The Castle Of Otranto and its prefaces
dc.type	Article
dc.relation.firstpage	11
dc.relation.lastpage	26
dc.relation.volume	38
dc.relation.issue	2
dc.description.affiliations	Department of English Language and Literature, Yaşar University, Bornova, Izmir, Turkey

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