Heretical anachronisms: Framing temporality and tradition in Pier Paolo Pasolini's essay films
Abstract
Pier Paolo Pasolini's ventures into the essay film form provide, in films such as La Rabbia (The Rage, 1963) and Appunti per un'Orestiade africana (Notes towards an African Orestes, 1970), an interrogation on the experience of temporality and the ways in
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https://www.scopus.com/inward/record.uri?eid=2-s2.0-85010756966&doi=10.1080%2f17411548.2016.1246310&partnerID=40&md5=b88c475398737b5ada36ca8b243a4921https://dspace.yasar.edu.tr/xmlui/handle/20.500.12742/10226
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